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La obra del maestro Armando Barrios oscila continuamente entre la figuración y la abstracción racional geométrica. En sus inicios, Armando Barrios comenzó pintando obras de naturaleza figurativa siguiendo los parámetros de la escuela paisajista de Caracas y paulatinamente, fue alejándose del mundo representativo hasta crear un mundo heterogéneo de formas y colores.
Cynthia Daigneault, At Picture Lake, 2017. Oil on linen. 60 × 96 inches.
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The Sunday Painter
1st Floor, 12-16 Blenheim Grove
London SE15 4QL
September 29–November 5, 2017
Secundino Hernández (b. 1975) is known for his expressive paintings, deriving from the premise of figurative expression and containing references to Francis Picabia and Joan Miró, amongst other surrealists. In his latest body of work history, however, appears fragmented, its components concealed or scattered. Splinters of colour, layers of primer folding on the canvas, the fabric laid bare, Hernández explores the destruction of painting. Radiating fascination with the creative process, Hernández’s work grounds the visual power of painting firmly in the present.
Secundino Hernández graduated from the Universidad Complutense Department of Painting in Madrid, Spain. His most recent institutional solo exhibitions have been at the Yuz Museum, Shanghai (2015) and Maison Louis Carré, Bazoches-sur-Guyonne, France (2014). His work is in numerous institutional and private collections, including National Museum of Wales, Cardiff, UK; Auckland Art Gallery, New Zealand; Museo Patio Herreriano, Valladolid, Spain; Helga de Alvear Foundation, Cáceres, Spain; The Rubell Family Collection, Miami, USA; Kunstdepot Göschenen, Switzerland and the Art Gallery of Ontario, Canada. Hernández lives and works both in Madrid and Berlin. Galerie Forsblom has been representing Secundino Hernández since 2010.
Carolus Enckell (1945–2017) ranks among Finland’s leading exponents of Finnish modernism. His art drew inspiration both from philosophy such as Oriental symbolism, as well as the forms and colors of the pioneering constructivists. He discovered a universal language in color and form: geometrical shapes endowed his art with character, while color, in turn, infused it with a particular spirit.
Throughout his career Enckell won numerous awards, including the Pro Finlandia Medal in 2009. He was also a distinguished writer and art educator, having held long-term positions as dean and instructor at Helsinki’s Free Art School and as editor-in-chief of Taide, Finland’s leading art journal. From the late 1960s onward, he took part in numerous solo and group exhibitions both in Finland and around the world. The Sara Hildén Art Museum hosted an extensive retrospective of his work in 2016.
Emma Hartman, Fades, 2017 oil on canvas, 153 x 150 cm
EMMA HARTMAN
SLINT
5.10–11.11, 2017
Galleri Andersson/Sandström is proud to announce the third solo exhibition with the Stockholm based artist Emma Hartman. In this exhibition she will show new paintings on canvas and paintings on copper plates.
In Emma Hartman's paintings there is a movement between the abstract and the figurative. The narrative elements derive from the meeting of colours and associations spring from their contrasts. The soft, creamy sky touch over the dissolved or crisp horizon in a boundless way continuing into elements like clouds, mountains, plains, meadows, beaches and moores. Some parts resemble shallow watercourses, others seem to depict the sea where colours are layered, muddy and opaque. In these dark fields, Hartman emphasizes a sense of weight and a movement towards an experience of reaching the bottom and an end.
At the same time, the weight gives the paintings a tangible, almost sensual sensibility.
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