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Angela Fraleigh, The breezes at dawn have secrets to tell, 2015, oil and silver metal leaf on linen, 90 x 66 inches
THE BREEZES AT DAWN HAVE SECRETS TO TELL
March 24 - May 13, 2017
Daniel Sprick, Floating Heads, 2013-2014, oil on board, 30 x 20 inches
RECENT WORK
March 24 - April 15, 2017
Jack Shainman Gallery is pleased to announce Enrique Martínez Celaya’s second solo exhibition at the gallery. With this new body of work, the artist inquires notions of ambition, loss, redemption, and the nature of painting.
Many of the paintings offer scenes of disrupted journeys or the aftermath of significant episodes: stairs abandoned in fields, snow globes as souvenirs from elsewhere, tattoos that historicize the body, a glass house lost in a cluster of firs, apples frozen and rotting in the tree, and the underlying structure of columns left unfinished. These moments of abandonment and failure also contain the seed of possibility and renewal whose hopefulness echoes the artist's informed but non-cynical approach to art in general and to painting in particular. In The Folktale (2017), marble stairs are isolated in a grassy clearing; they don’t appear to lead anywhere and a fire burns in the distance, but colorful wildflowers sprout, birds flutter, and sunlight ripples suggesting hope and rebirth.
Kent Monkman, St. Sebastian, 2017, acrylic on canvas, 48 x 38 inches
PETERS PROJECTS & GP CONTEMPORARY PRESENTS
New Work – VOLTA Art Fair Curated Exhibition
March 1 – 5 ny.voltashow.com
Pier 90, New York, NY
New Work – GP Contemporary
March 1 – 27 www.gpcontemporary.com
Gerald Peters Gallery, 24 East 78th Street, New York, NY
GALERIE SUPPER is pleased to announce its participation at this year's art KARLSRUHE, one of the biggest art fairs within the German-speaking countries. Within the context of international exhibitors with a focus on modern and contemporary art, we will be presenting selected positions and recent works from the program of the gallery.
The works of Katharina Meister (*1981, Karlsruhe, Installation) leans towards installation because of its multi-faceted materiality. Fragile cut outs, which are based on the dissolution rather than on the accumulation of material, keep raising questions about our relationship to our surroundings and to nature. The deep wooden frames - formerly used as a display in natural history collections - underline the tangibility of the subject.
Larrie is proud to present Dynamic Opposition, a solo exhibition of new work by artist Sophie Hirsch opening on Sunday, February 5, 2017. The exhibition will be held in both the front and back rooms. This will be the first exhibition held in the space.
Dynamic Opposition presents 10 new works that materially explore the delicate nuances of balance and form mirrored between Hirsch’s materials and the poised and flexible human body.
Inspired in part by an investigation into the integration of human form and the clarity of mental awareness inherent in Pilates, this body of work spans from intimate shadow boxes that reveal the softly sensual and abstract undulations of shells found in Africa, to her more familiar sculptural constructions of fabric, silicone, plaster, and metal. In a departure from her typical darker color palette, soft blushes of color weave throughout this body of work.
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