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MAGAZINE |
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-Fernando
Botero
The Art World Legend |
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--Fernando
Botero is one of the most successful contemporary artists right now,
his paintings sell for millions. The ageing Botero is returning to his
troubled homeland, Colombia, where he was raised in the same city as
the drug lord, Pablo Escobar, the subject of one of Botero's most controversial
paintings.
--The
artist has been target of kidnap attempts and must now be accompanied
everywhere by armed guards. --As
Fernando Botero touches down, a huge storm is blowing up over his son,
a charismatic politician dubbed the "Kennedy of South America",
Botero senior is mortified by his son's self-destruction and anxious
about the reception he himself will receive from his long-suffering
countrymen.
--Despite
millions in the bank, private jets at his beck and call, and homes in
Monte Carlo, Paris and Manhattan, among others, the Great Master yearns
to be accepted into the pantheon of great painters.
--Is
that why he has produced his boldest work in decades, paintings that
explore the horror of Abu Ghraib jail in Iraq...?
--The
scandal over abuse at Abu Ghraib surfaced when pictures of guards humiliating
naked iraqi prisoners became public tarnishing the military's image
in Arab countries and worldwide, and sparking wider investigations into
detainee abuses. |
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Andy
Warhol
Hang Him
on my Wall |
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--No
other artist is as much related with Pop Art as Andrew Warhola,
worldwide known as Andy Warhol... The Prince of Pop.
--For
many of you who still don't know this peculiar uniqueness of the
artist, Warhol loved cats and images of them can be found in many
of his artworks.
--One
of the artist's best friends described him as a committed workaholic.
--Nevertheless,
most importantly, for all of you concerned with the cause and
effect magic ( ...or chemistry... ) it's quality information to
state that Andy Warhol was truly and deeply obsessed by the ambition
to become very, very famous and incredibly wealthy.
--What
do you know!
--And
he was wisely aware enough of the price he had to pay in order
to achieve his goals.
--In
short, he always knew deep down inside that the fastest way in
order to achieve the so called American Dream, was through a breathtaking
process of highly intensive hard work. Fact. |
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Francis
Bacon
Painter of a Dark Vision |
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--Inseparable
Art and Life?
--For
most of his many years it was simply not to speak or write
of Francis Bacon's private life, whispered to be not merely
disreputable but punishable, at least in his first half
century, by sanctions almost as harsh as those for treason
and murder!
--Though
to critics of any sensibility it was obvious that his private
life was largely the source of imagery and energy in his
paintings and unquestionably crucial to his aesthetic development,
there were others who - through overwhelming prominence
on the Arts Council and our television sets, almost as celebrated
as himself for their performances as his interpreters -
gave us a Francis Bacon distorted and bowdlerised.
--In
their constructs he could discern little of himself, but
in a sense he was content with their dissembling, for it
kept him camouflaged and his private life remained largely
private to the end.
Though he knew them to be in error, his conviction was that
in time their interpretations would be recognised as fraudulent,
then discarded, letting his paintings at last speak for
themselves.
---
"Painting is its own language and is not translatable
into words". |
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Aspiring
Art Stars
Guidelines |
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--People
you do business with aren't necessarily your friends.
--They
are not people you go home with. They are a fact of the Art world
and once you're done with them, that's it until next time. In
certain cases you have to tolerate them and perhaps they tolerate
you.
--You
may think they are wrong - or know they are wrong - fine. Deal
with it.
--For
example, if your gallery introduces you to someone who proceeds
to rub you the wrong way, there's likely a reason for the introduction,
so do what you can to maximize the outcome. Hold up your end of
the conversation, keep them happy.
--You
do what works best to get what you want done and that's how the
game is played.
--And
please, oh please, remember the good people who helped you along
your Yellow Brick Road to OZ.
--The
best artists acknowledge their pasts and never forsake them. Ignoring
your past and only talking about where you are now or where you
are going, dissociating yourself from where you've been and people
you've known is counterproductive, especially to those who have
known you. |
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Nana Andersen |
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The
Mystery, the Beauty ... and the Best! |
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--Belief
in the dramatic value of a strange vision of the world and human
nature, is on the whole the artistic flame of Nana Andersen, sometimes
showing plainly those traits which all human beings have in common,
some other times assimilating aspects of those different emotional
peculiar energies of the grotesque beauty, by exploring in her
quality artworks, form, body, soul and spirit, inevitably presenting
fundamental questions about nature and the human, matter, being
and meaning.
--The
mysterious nature of human provides Nana Andersen her constant
subject, like all detectives, she is an artist who draws creative
power and striking inspiration from the most controversial ( and
unspeakable ) sides of the human soul.
--There's a peculiar and very specific
type of vision shared by Nana Anderson's Oeuvre, an amazing game
of scenes which the art lover eye ... |
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-Sonia
Rijnhout
Absolutely Cutting - Edge! |
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--Today,
in the beginning of the New Millennium, when contemporary
art very often seems to be reaching that stand by point
of helpless lack of innovation and originality, it's good
to know that it's not quite so after all, when under our
normal daily systematic research process, Artcity21 stumbles
upon a magnificent high-level of artistic performance, amazing
inspiration and striking creativity, such as Sonia Rijnhout's
artworks.
--Sonia Rijnhout shows us a
newness signs of aesthetic originality and a straightforward
and uncomplicated artistic brlliance, unquestionably a young
contemporary phenomenon within the current art scene coherence.
Moreover, Sonia Rijnhout simply transcends any preconceived
definition of contemporary tendencies as a whole, presenting
us and surprising us with extremely successful combinations
of colors and rhythmic forms. |
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-Nina
Nolte
An
Insight of Paradise |
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--The
work of Nina Nolte is, strange as it may seem, utopian.
She portraits a universe prior to the expulsion of
Paradise, with clothes and attidudes strictly contemporary,
just like the masters of Renaissance and Baroque,
who painted characters from the mythologie or the
Bible with garments and gestures of their time. We
find in Nina´s work a inalienable will based
on two principles: figuration - censured so many times
and even considered finished - and contemporanity.
But at the same time never loosing sight of her edenic
vision of mankind. Looking at her canvas and in spite
of the discredit of painting in general, in favour
of more recent and less conventional artistic techniques,
no one could ever think that the subject has a dark
side. Furthermore, that innocence does not translate
into candour, but serenity, dignity, like in the wonderful
portraits with a trait that owes as much to Ingrès
as tu Dürer. That is to say, in the awareness
of the prime of life and in the promises of the moment. |
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Juan
Béjar’s
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Poisoned
Sweets |
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--Transparent,
nearly always swollen little faces with generous double
chins. Dark eyes that show little or no emotion. Self-satisfied
little mouths; ringlets; perfect outfits. Such are
the children’s portraits by the Spanish painter,
Juan Béjar (1946). But they are not real portraits;
not replicas of real people but metaphors.
--Béjar,
just like Pablo Picasso, was born in Málaga;
but whereas Picasso moved to Paris at an early age
never to return, Béjar is to this day a man
of Málaga. He is a highly-reputed artist in
his country of birth. In Spain there is a waiting-list
for his work, which makes Béjar proud but at
the same time stressed. His production is limited
on account of the immense amount of work put into
each painting. |
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